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A study of two people involved in the story of the love triangle. However, not the plot itself is the essence of the film. It is a study of moral attitudes, it tells about dying physically, as well as about the dying of feelings.

Anna is a seemingly content thirty-year-old wife and mother whose orderly life is upended when a rejected young suitor’s suicide attempt lands him in the psychiatric ward where she’s drawn into his recovery.

Ewa decides to leave Paris and find her husband left in Poland.

A group of Polish communists in Paris arrives in Poland to fight against the Nazis.

A small cardboard train embarks on a long journey full of strange events.

Eva, Cris and Rocío take a moment to analyze what has just happened: a man who has threatened Rocío to upload a video of the latter's sexual content to the Internet has been beaten up by them.

"Tomorrow I Could Be Dead" recalls the story of a group of reckless Spanish stuntmen active during the second half of last century. Their vibrating careers firstly introduced them to roman peplum and big budget historical films - Alexander the Great, Spartacus, Ursus, King of Kings, 55 Days in Peking- later on to spaghetti westerns - the Leone Dollar-Trilogy, Django, Keoma - and finally to big international productions during the 70's and 80's such as Conan the Barbarian, The Wind and the Lion, Breakout or Indiana Jones and the last crusade. These men, half brave, half crazy have become part of history of cinema and, thanks to their adventurous condition reveal themselves as extremely interesting characters whose stories still await to be told. Thanks to their commitment, Spanish stuntmen still are sought after for their extraordinary skills on horseback.